Carmichael Gallery is pleased to announce Like Father, Like Son, a retrospective survey of works by
renowned Chicano, Los Angeles-based father and son photographers, Eriberto and Estevan Oriol. The
exhibition will comprise twenty-five limited edition prints from each photographer, including black and
white, color, silver gelatin and digital c-prints.
Whilst often distinguished by a complex melange of memory, emotion and intimacy that can manifest
itself in equally terrifying and wonderful forms, the relationship between a parent and his or her child
is a particularly unique human exchange and can hardly be defined in generalized terms. For Eriberto
and Estevan Oriol, who are often cited as two of the most important contemporary documentarians of
urban, hip hop, lowrider and Latino culture, the deep familial tie they share extends into and only serves
to empower the unique nature of their professional relationship and the intense puissance of their work.
Whether viewed together or apart, the Oriols’ photography presents the multitudinous contours of Los
Angeles and urban life through a piercing, visionary lens that lends a fascinating, almost hyperreal layer
to the earthy, often confrontational authenticity of their subject matter.
Perhaps one of the most interesting aspects of the Oriols’ oeuvre to date when considered as a whole,
as in Like Father, Like Son, is its ability to complement and contrast the talents and purports of each
photographer. Both are long-time observers of city life and the experiences of its inhabitants; Eriberto,
whose understanding of shape, line and shadow are key features of works such as LA Financial District,
2011, The Thinker, 1974, and Need A Helping Hand, 2000, which define with gut-wrenching elegance
the struggle and strength of the poor and homeless in Downtown Los Angeles and San Diego, form
an effective and deeply affecting concordance with Estevan’s depictions of these communities, who, in
works such as Skid Row Body Bag, 2009, Chestnut Family, 1998, and Pepper’s Shopping Cart, 2011,
combines brutal honesty with rich sagacity to uncover a subtle, fleeting beauty that might otherwise have
Other series represented in Like Father, Like Son include the photographers’ varied and illuminating
portrayals of LA’s lowrider culture, dramatized to distinction in Eriberto’s color photograph Las Vegas
Lifestyle Car Club, 2004, and the city’s gang life, exposed in a singularly vulnerable light in Estevan’s
Bullet Holes and Stab Wounds, 2002, and Shaving the Dome, 2008. In addition to these and Estevan’s
portraits of celebrities, including Dr. Dre, Ice Cube and Dennis Hopper, both Oriols will present a selection
of their exquisite, oft-touted photographs of LA women, from Eriberto’s Traffic Jam 110 FWY, 2011, to
Estevan’s Erlinda, 2003.
There will be an opening reception for Like Father, Like Son on Saturday, October 1 from 6 to 9pm with
both Eriberto and Estevan Oriol in attendance. The exhibition will run through October 29, 2011.